Eurovision has been more than just a song contest to me – it’s the bedrock of my identity, a source of joy, connection, personal growth and about 90% of my solid friend group. However, following the results this year, it's a show that's picked complicity over courage, propaganda over empowerment, and I no longer recognise it as the safe space I grew up with and desperately need.

Taskmaster, however unintentionally, has been a bastion of authentic self-advocation for years. Now the kids are showing us how it's done.

On 22nd November 2022, Eurovision announced the biggest shake-up in the voting system since 2009. This article explores what it means.

Below is a selection of videos filmed by, edited by or featuring me, for Eurovision fan journalism site ESCBubble.com. Since October...

Another academic work from my final year of university, this essay explores the themes of exoticism and documentary film style in the...

My undergraduate dissertation for my degree in Modern Languages and Cultures (French and Spanish) at Durham University explored "La Ruta...

I wrote this in the run-up to the 2021 Eurovision Song Contest for family and friends, most of whom are not fans of the show. It is a...